It falls to the aesthetic and visuals of the game, then, to hold these duller moments up, and for the most part Succubus presents an intriguing and unique depiction of Hell compared to other games. The arcade-like combat, for better or worse, is very simple.
On higher difficulties, it feels like most enemies just do more damage than present a larger challenge, or a truly tangible threat. I suppose it fits with the setting of Hell, but clubbing enemies around like they’re golf balls with my warhammer is only fun for so long.
#Succubus game full#
with the exception of the bosses (one makes the floor full of lava, another has a hilariously large penis to distract you from plenty of hard-hitting attacks) tend to be rather bone-headed, running at you with suicidal mania and little thought for tactics. You’re practically swarming in waves of fleshy, flying and grotesque things to kill each level, but the majority of the enemy A.I. It’s a good thing there’s a lot of effort put into the weight and impact of your attacks, though, because the arena-based combat approach of Succubus, after the opening hours, becomes repetitive fast. But others, like ripping a sinner’s penis clean off, or drinking the blood of a sinner to regain health, ground the game into pulpy, laugh-out-loud parody. Even if you play violent games, what’s on display can be voyeuristic – especially one animation involving pregnant sinners and fetus’s, which may cross the line for some players. Whether this level of detail is entertaining or disturbing depends on the player for me, the slaughter comes across as so ridiculous in tone it’s enjoyable in a ‘dumb fun’ sort of way, though it’s not for the faint of heart by any means. In particular, the mutilation of bodies is supported by the game engine to a surprising degree. Every interaction is hyper-violent, and you’ll see the full non-censored results of cleaving, stabbing, crushing, slashing and impaling your enemies. This is a main selling point of Succubus, and I can’t say it doesn’t deliver the gore-ey goods. Succubus really doesn’t hold back on depicting the sheer level of damage and pain you inflict upon your foes. While entertaining, there’s a lack of polish in the combat and impact in attacks overall that makes it feel a bit floaty. You can also dash in and out of fights, and Spartan kick enemies into environmental objects such as spikes or other hordes with a button. There’s many spells to equip and unleash, too, with new abilities and ways to kill enemies unlocked as you progress, though many, including the starting telekinesis and fireball abilities, feel like it needed more tuning. You can find many of these weapons in the hellish landscapes you cut your way through, or buy them (along with a number of revealing and disturbing armour set pieces) by spending collected souls. From daggers to axes to hammers to pitchforks, each provide a different moveset to experiment with, and, akin to recent Doom titles, special finishing moves that can be activated after dealing enough damage using these rewards a gory animation that, while janky-looking, certainly delivers on the shock and laugh-out-loud factor. To accomplish this, there is a variety of melee-focused weapons and magical spells on offer that steadily unlock throughout the game.
#Succubus game series#
As Vydija, a sultry-toned, blood-thirsty succubus of lust, you will literally tear through hordes of fleshy creatures, demented demons, tortured humans and lordly hellspawn in a series of 20 or so stages with varying objectives and collectibles, but where the solution for completion is always the same: Maiming, mutilating, and killing everything between you and the exit. Succubus is played as a first-person hack-and-slash experience with a heavy emphasis on visceral melee combat.
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